Pre-order of Yellow River. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Purchasable with gift card
releases June 28, 2019
$10USD or more
Compact Disc (CD) + Digital Album
4 panel Digipak
Includes digital pre-order of Yellow River.
You get 1 track now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
shipping out on or around June 28, 2019
Purchasable with gift card
Torture Me (Featuring Ja-Tun Thomas and BoyWonder)
Old Time Religion (Featuring Ja-Tun Thomas and Shaun Martin)
Keep On (Featuring Ja-Tun Thomas, Shaun Martin, Big Sam Williams, Jeffrey T. Watkins, Lori LaPatka)
Rice n' Greens (Featuring BoyWonder)
Call it What it Is (Featuring Ja-Tun Thomas and Lori LaPatka)
Bessie Smith (Featuring Ariel Skye and Shaun Martin)
Yellow River (Featuring BoyWonder Will Winborne, Jr.)
Not Alone (Featuring Ariel Skye and Deej Roisin)
Working Together (Featuring Ja-Tun Thomas, BoyWonder, and Ariel Skye)
Yellow River marks the 4th album in 36 months by Jim Stephens on Ropeadope. This offering follows 2016’s Soul debut On our Way To Forever; 2017’s Delta Blues duo album Box Car Blues featuring BoyWonder; and 2018’s Genre-defying 20-song double album Philasippiola Soul.
Yellow River brings some of Stephens’ All-Star New Orleans and Philly collectives together for a 10 song tour-de-force which is deep-rooted in Jazz, Soul, Blues, and Funk. The album was primarily recorded over 2 days at the legendary Esplanade Studios in New Orleans. Stephens wrote 6 of the songs, while personalizing and re-working cover songs and traditional gospel. Once again he delivered on the production and arrangements while playing lap steel, guitar, and harmonica.
Shaun Martin joins the band as pianist for 5 of the 10 songs, with Deej Roisin accompanying Martin on organ, and taking lead on the other piano tracks. Will Winborne Jr., an integral member of Stephens’ band, as well as performing regularly with BoyWonder, The Village People, and rising hip-hop stars XPresidents, lends his organ and rhodes work to the title track and accompanying Martin on organ on Stephens’ Norah Jones’- inspired take on The Band’s “Bessie Smith.”
The horn section features a pair of living legends in Big Sam Williams and Jeffrey T. Watkins (James Brown's horn director for the last 12 years of Brown's career, now with the New Orleans Suspects, who on top of his tenor work, stepped in for the intricacies and finalizing the horn direction on the album). They are joined by the elite talents of Lori LaPatka on alto sax, and Ian Smith on trumpet.
The rhythm sections are broke into 3 groups featuring: Jerry JBLAKK Henderson and Milk Williams of Big Sam’s Funky Nation; Sam Price from Honey Island Swamp Band; and Sam Shahin and Noah Young from Naughty Professor and Big Freedia's band.
Stephens’ band featuress 3 amazing vocal talents in Ja-Tun Thomas, Andre “BoyWonder” Coles (who also plays guitar on the album), and Ariel Skye, all of whom shine on duets and solo appearances - most noticeably on Stephens’ re-working of the Ike and Tina Turner classic “Working Together,” - which employs full horns and Martin on Piano, with Thomas, Skye, and Coles trading lines as a vocal trio, with such inspired passion and soul that one would have to look hard and far to find previously achieved elsewhere. Skye especially shines on Stephens’ composition “Spend My Life,” with whom she is joined in duet with Shaun Martin, in arguably Martin’s best performance on record to date. The performance is beautifully accompanied by Sam Price and Sam Shahin.
Jim has taught music and ensemble performance in Biloxi, MS; Homestead, FL; Port Au Prince, Haiti; Gonaives, Haiti; and Tamil Nadu India. He has also co-taught in numerous inter-discipline arts programs. Jim has also been a panelist, speaker, and curator in numerous arts, art education, and music business forums. He has also designed and taught a class/ interactive lecture/presentation on the Artist’s Responsibility to Society.
Jim founded and produces Mermaid Rescue Week, a week long music and arts festival in Philadelphia in benefit and support of Domestic Violence and Rape Survivor advocacy, now entering its 5th year in 2019.
In 2014 Philadelphia City Councilman David Oh recruited Jim as one of two consultants/advisors to launch the now annual PHL LIVE, which showcases music as the economic stimulator it is throughout the city, while allowing up and coming musicians to meet, talk with, and learn from the best and most successful musicians, producers, and executives in Philadelphia and surrounding area.
Stephens has been an active and integral part of several major and up and coming artists securing label support, booking opportunities, and as a conduit for countless musicians to land work with top charting artists and in-studio work as session musicians.
releases June 28, 2019
All Lyrics and Music by Jim Stephens unless noted. All songs produced and arranged by JIm Stephens except Yellow River and Rice N Greens - arranged by Jim Stephens and BoyWonder. Horn Direction on Tracks 1,3,4,10 by Jeffrey T. Watkins
Recorded at Esplanade Studios, New Orleans, LA on Jan 8 and 9, 2019 by Misha Kachkachishvili. Overdubs at Morningstar Studios, East Norriton, PA recorded by Dave Schonauer on February 2 and February 23, 2019; and Rhythm Shack Studios, New Orleans, LA by Jake Eckert and Jeffrey T. Watkins on March 19, 2019.
Mixed by Dave Schonauer at Morningstar Studios
Mastered by Glenn Barratt at Morningstar Studios
Jim Stephens is the kind of guy you can’t size up. Upbeat with a classic Irish smile, with a little bit of mischief and at
least as much heartbreak in his eyes. Salt of the earth with a good amount of spice, Jim Stephens is anachronistic, hearkening back to a time of real men and real grit....more
Yes indeed; New Orleans finest on top form!
Ever since Mr.Scott made such an impact with Marcus Miller's 'Tutu Revisited' project he has been on my radar. 'Christian a Tunde Adjuah' was a fine album but this is spectacular with Congo Square at its heart,I think...it has so many ideas and references that it is unclassifiable other than essential.
Miles Davis used to append the monogram 'New Directions In Music' to his Columbia albums...the same applies here.